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One of the more interesting things about Korean zombie movies is that the zombie factor is a vehicle through which to explore a lot of social issues. In particular, people from large cities will eat the poor and live in ramshackle hovels, while the poor live in squalor with an abundance of disease and an overall lack of hope. This is a great opportunity for discussions about class or class and race if you ask me. The funny thing is the fact that these movies are often quite slow, and there's a lot of exposition and moralizing. So if you haven't already, I'd suggest that you check out The Korea Zombie Trilogy on Netflix.That said, it's still worth watching a few of these movies, as it's a great source of cheap entertainment. I just can't recommend this because the first Nightmare City and The Horror Show are better, and an entire genre has been made out of these movies. So give this a shot if you'd like, but don't bother with the sequels.
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One of my favorite zombie movies is 28 Days Later, a British film that combines the zombie trope with the political zombie sub-genre. The film, which is loosely based on the novel of the same name by Dan O'Bannon, gives the audience a taste of the future, where an outbreak of a virus leads to a stagnant and dystopian society. No wonder that this movie was in heavy rotation on television in the UK where I grew up.
Thailand is a wonderful setting for a zombie movie; there are lush, forested jungles to explore, crumbling ruins, islands and a bit of history to be exploited, and the story follows the basic structure of a giys more conventional murder mystery. A wealthy American widower named Addy (Josh Duhamel) is visiting Thailand with his son Aaron (Luke Grimes), while his wife, Ta (Drea Danielle) is in Germany for her exhibition. Upon their arrival, they visit a crumbling mansion in the middle of the jungle, where they meet Mick (Derek Thelke), a local Thai computer geek who seems to be lonely because he has no social life. The group meet a local girl named Mae (Kelly Hu) and her friends, one of whom is a feisty restaurant worker named Thort (Sukki Chea) that Mick falls for. When Mick gets in touch with his estranged uncle, who lives in the mansion, a conman named Kenzo (Monroe Gage) comes to take the money and clear out the mansion, so that he can rebuild in the jungle. Everything is going great, until Ta gets murdered at her Thai gallery opening, and the rest of the group begins to disappear, one by one. The boy leaves first, with a mysterious note posted inside of his laptop, while things get weirder when Thort escapes the mansion in the middle of the night with Mae. After finding it, the pair spend the rest of the night partying, nd it looks like they might be one of the last. Kenzo comes back to have another look at the mansion, and takes the group hostage. The last scene is shot from a zombie girls point of view, in which Mick has cornered the guy, and he tells him that the reason he's doing all of this is so that they can move to China together and live happily ever after. The movie is shot in an almost surreal, 2d and mildly giys-fied sense, and actually started as a project for five of the ndgers in the cast. Some of the effects are impressive, but at the end of the day it all comes down to feeling like this was just a fun, cheap thrill. The atmosphere of the jungles, adding a visual element to a story where the characters don't have much to do, is interesting, but it's not enough to make the movie great.